Atlanta Comics Creators

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So, I've found myself sending out a lot of submissions lately to a ton of different magazines, literary journals, etc. I've got some pretty crappy anthologies and lit journals I've picked up at cons around the country and I almost hesitate to submit to them because of how poorly written some of the stories are. Granted, I have tastes that aren't necessarily mainstream, so they may be great by some standards. It breeds the question though, should one be picky when deciding where to submit, or do you damn the torpedos and send as many to as many as you can? I've almost convinced myself that a published credit is a published credit no matter how bad the publication may be as a whole. Thoughts?

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I agree with you for the most part, especially when it comes to anthologies. Obviously, you want to be in a high-quality book, since it will probably sell better and get your stories read by more people. But, I happen to go through tons of good and crappy anthologies all the time after cons, so I know there's got to be other people out there who would read it.

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If you're not published yet, you simply want to be published. Then you have something to show a prospective new editor. It's up to you to make the story good enough to be seen, regardless of the source publishing you. That's your job as a writer or artist.

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I did ink work on a comic back in the 90's "White Raven" issue 7 I was hoping that it would help get my foot in the door and that I would get to work over Rob Rebman's pencils again but alas that didn't come to fruitition AND I made no money from it just my name in the credits. But I dare you to find that issue now. Be picky about where you submit even if you feel you're not "mainstream" and get more than a handshake when you agree to do any work. That's my 2 cents worth.

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Sean Taylor Sean Taylor created this Ning Network.

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What is this network?

The Atlanta Comics Creators network is just what it says it is, group of Atlanta-based comics creators who use this online resource to make connections, build peer relationships, and further their comics careers.

Who is invited to join?

All mainstream, indie, or webcomic artists, inkers, writers, colorists, editors, and publishers; animators; and pop art and low brow creators local to the Atlanta area.

What can I do here?

Take part in forums to pick the minds of other creators, mentor and be mentored, develop small groups based on locale for real life connections, show off your work, form creative teams, network into national and international markets based on current members, and more to come, such as chat functions and more.

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Because working in this industry tends to isolate us more than pull us together. Because you never know who your next boss or co-worker will be. Because making friends among your peers is a good practice. Because somebody worked really hard to try to make this place a useful resource, dang it.

What are "groups"?

"Groups" are ways of hooking up by common interests (such as manga or webcomics), location (North Atlanta or Downtown), job focus (artist, writer, pop art, or animator), or any other criteria that bonds us together in groups of people that can help each other become more effective or just hang out and enjoy each others' company.

Where can I get more info about this network?

Email the guy who created it. For more info about him, click this link.

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